The Best 3D Movies
From the 1950s stereoscopic wave to Avatar's digital second age: films released in 3D in their original run — native or converted, but never a later re-release — ranked by our composite canon score.
Mad Max: Fury Road (2015) leads with a composite score of 2.68.
- 1Mad Max: Fury Road2015 · George Miller2.68
Kinema Junpo Best Ten (International) 2015 #1 · Oscar Best Picture nominee 2015 · Sight & Sound 2022 critics' poll #196
- 2Gravity2013 · Alfonso Cuarón1.96
Oscar Best Picture nominee 2013 · Kinema Junpo Best Ten (International) 2013 #2 · Cahiers du Cinéma annual top 10 2013 #4
- 3Hugo2011 · Martin Scorsese1.40
Oscar Best Picture nominee 2011 · Kinema Junpo Best Ten (International) 2012 #3
- 4Toy Story 32010 · Lee Unkrich1.33
Oscar Best Picture nominee 2010 · Cahiers du Cinéma annual top 10 2010 #4
- 5Life of Pi2012 · Ang Lee1.23
Oscar Best Picture nominee 2012 · Kinema Junpo Best Ten (International) 2013 #7
- 6
- 7
- 8
- 9
- 10
- 11
- 12
- 13
- 14
- 15Spider-Man: Into the Spider-Verse2018 · Peter Ramsey, Rodney Rothman, Bob Persichetti0.24
Letterboxd Top 250 #71
- 16
- 17
- 18Flesh for Frankenstein1973 · Paul Morrissey, Antonio Margheriti, Andy Warhol0.16
Criterion Collection spine #27
- 19
Two waves, half a century apart
3D arrived twice. The first stereoscopic wave (1952–1955) was an exhibition gimmick that burned out in about two seasons — but it left behind a handful of films that outlived the glasses, made by directors who treated depth as composition rather than a projectile: House of Wax put Vincent Price on the horror A-list, and Hitchcock shot Dial M for Murder in 3D even though most audiences first saw it flat. The second wave was digital: Avatar (2009) re-equipped the world's theaters almost single-handedly, and for a few years afterward 3D was where the medium's most ambitious technical filmmaking happened — Scorsese's Hugo, Ang Lee's Life of Pi, Cuarón's Gravity, and even art-house experiments like Godard's Goodbye to Language and Wenders' dance documentary Pina.
Our inclusion rule is strict about one thing: a film counts as 3D only if it was released in 3D in its original run — native photography or a contemporaneous conversion both qualify, but a 3D re-release decades later (Titanic 3D, Jurassic Park 3D) does not make the original a 3D movie. Within that rule, the ranking is the same as everywhere else on this site: our composite canon score across 20+ authoritative lists, awards and polls — which is why a two-year gimmick wave and the post-Avatar decade can sit in one honest list. For where 3D fits in the longer story of the medium, see the technology thread on the movie history timeline.