The Best Silent Films
Cinema's first three decades still rank among its greatest. The silent canon, ordered by composite score across critics' polls and registries.
Silent film is not primitive cinema — by the mid-1920s it was a mature international art the talkies interrupted: Chaplin and Keaton perfected physical comedy, Murnau's Sunrise and Dreyer's The Passion of Joan of Arc pushed the camera and the face as far as they have ever gone, and Eisenstein's montage experiments in Battleship Potemkin became film theory itself. The canon's respect is measurable — Sunrise, Potemkin and Man with a Movie Camera all sit in the Sight & Sound top twenty a century on.
Sunrise: A Song of Two Humans (1927) leads with a composite score of 3.77. Top 100 of 296 films in our library.
Masters of the genre
- Charlie Chaplin
8 films · Modern Times
- F. W. Murnau
6 films · Sunrise: A Song of Two Humans
- Yasujirō Ozu
8 films · I Was Born, But...
- Buster Keaton
9 films · The General
- Josef von Sternberg
6 films · The Docks of New York
- D. W. Griffith
9 films · Intolerance
- 1Sunrise: A Song of Two Humans1927 · F. W. Murnau · United States · drama, silent, romance3.77
Kinema Junpo Best Ten (International) 1928 #1 · Sight & Sound 2022 critics' poll #11 · Sight & Sound 2022 directors' poll #33
- 2Modern Times1936 · Charlie Chaplin · United States · comedy, romance, drama2.97
Sight & Sound 2022 directors' poll #72 · Sight & Sound 2022 critics' poll #78 · Kinema Junpo Best Ten (International) 1938 #4
- 3The Passion of Joan of Arc1928 · Carl Theodor Dreyer · France · drama, silent2.62
Sight & Sound 2022 critics' poll #21 · Sight & Sound 2022 directors' poll #30 · Kinema Junpo Best Ten (International) 1929 #7
- 4The Gold Rush1925 · Charlie Chaplin · United States · silent, comedy, romance2.55
Kinema Junpo Best Ten (International) 1926 #1 · AFI 100 (2007) #58 · AFI 100 (1998) #74
- 5The Artist2011 · Michel Hazanavicius · France / Belgium · comedy, romance, drama2.35
Oscar Best Picture winner 2011 · BAFTA Best Film winner 2012 · César Best Film winner 2012
- 6Metropolis1927 · Fritz Lang · Weimar Republic · silent, drama, sci-fi2.18
Sight & Sound 2022 critics' poll #67 · Kinema Junpo Best Ten (International) 1929 #4 · TIME All-TIME 100
- 7Man with a Movie Camera1929 · Dziga Vertov · Soviet Union · documentary, silent2.13
Sight & Sound 2022 critics' poll #9 · Sight & Sound 2022 directors' poll #30 · TIME All-TIME 100
- 8Wings1927 · William A. Wellman, Harry d'Abbadie d'Arrast · United States · war, romance, drama2.11
Oscar Best Picture winner 1928 · Kinema Junpo Best Ten (International) 1928 #5 · National Film Registry (inducted 1997)
- 9Seventh Heaven1927 · Frank Borzage · United States · drama, silent, romance1.79
Kinema Junpo Best Ten (International) 1927 #1 · Oscar Best Picture nominee 1928 · National Film Registry (inducted 1995)
- 10A Woman of Paris1923 · Charlie Chaplin, A. Edward Sutherland · United States · drama, silent, romance1.66
Kinema Junpo Best Ten (International) 1924 #1 · Sarris's annual top 10 1976 #1 · Criterion Collection spine #1253
- 11The General1926 · Buster Keaton, Clyde Bruckman · United States · comedy, romance, war1.51
AFI 100 (2007) #18 · Sight & Sound 2022 critics' poll #95 · National Film Registry (inducted 1989)
- 12The Docks of New York1928 · Josef von Sternberg · United States · romance, silent, drama1.50
Kinema Junpo Best Ten (International) 1929 #1 · National Film Registry (inducted 1999) · Criterion Collection spine #531
- 13Meshes of the Afternoon1943 · Maya Deren, Alexandr Hackenschmied · United States · silent1.46
Sight & Sound 2022 critics' poll #16 · Sight & Sound 2022 directors' poll #62 · National Film Registry (inducted 1990)
- 14Sherlock, Jr.1924 · Buster Keaton, Roscoe Arbuckle · United States · comedy, action, romance1.46
Sight & Sound 2022 critics' poll #54 · TIME All-TIME 100 · Letterboxd Top 250 #91
- 15Battleship Potemkin1925 · Sergei Eisenstein · Soviet Union · silent, drama1.40
Sight & Sound 2022 critics' poll #54 · Sight & Sound 2022 directors' poll #93 · Empire 500 (2008) #313
- 16The Thief of Bagdad1924 · Raoul Walsh · United States · fantasy, silent, drama1.34
Kinema Junpo Best Ten (International) 1925 #1 · National Film Registry (inducted 1996) · Rosenbaum's Essential Cinema
- 17Intolerance1916 · D. W. Griffith · United States · drama, silent1.29
Sight & Sound 2022 critics' poll #225 · AFI 100 (2007) #49 · National Film Registry (inducted 1989)
- 18The Last Laugh1924 · F. W. Murnau · Germany / Weimar Republic · silent, drama1.25
Kinema Junpo Best Ten (International) 1926 #2 · Sight & Sound 2022 critics' poll #243 · Roger Ebert's Great Movies
- 19Nosferatu1922 · F. W. Murnau · Germany · silent, horror, drama1.20
Sight & Sound 2022 critics' poll #196 · Scorsese's 39 essential foreign films · Vatican film list
- 20Safety Last!1923 · Fred C. Newmeyer, Sam Taylor · United States · comedy, romance, silent1.13
Kinema Junpo Best Ten (International) 1924 #3 · National Film Registry (inducted 1994) · Criterion Collection spine #662
- 21Un Chien Andalou1929 · Luis Buñuel · France · silent, horror, fantasy1.11
Sight & Sound 2022 critics' poll #169 · Empire 500 (2008) #354 · Kurosawa's 100 favorite films
- 22The Covered Wagon1923 · James Cruze · United States · romance, western, silent1.11
Kinema Junpo Best Ten (International) 1924 #1 · Rosenbaum's Essential Cinema
- 23I Was Born, But...1932 · Yasujirō Ozu · Japan · comedy, drama, silent1.11
Kinema Junpo Best Ten (Japanese) 1932 #1 · Rosenbaum's Essential Cinema
- 24Passing Fancy1933 · Yasujirō Ozu · Japan · silent1.11
Kinema Junpo Best Ten (Japanese) 1933 #1 · Rosenbaum's Essential Cinema
- 25Greed1924 · Erich von Stroheim · United States · drama, silent1.04
Sight & Sound 2022 critics' poll #185 · National Film Registry (inducted 1991) · Empire 500 (2008) #399
- 26Napoléon1927 · Abel Gance · France / Germany / Italy · biography, drama, silent1.01
Sight & Sound 2022 critics' poll #225 · Scorsese's 39 essential foreign films · Vatican film list
- 27La Galerie des monstres1924 · Jaque Catelain · France · silent, drama1.00
Kinema Junpo Best Ten (International) 1925 #1
- 28The Woman Who Touched The Legs1926 · Yutaka Abe · Japan · silent1.00
Kinema Junpo Best Ten (Japanese) 1926 #1
- 29
- 30What Made Her Do It?1930 · Shigeyoshi Suzuki · Japan · silent, drama1.00
Kinema Junpo Best Ten (Japanese) 1930 #1
- 31A Story of Floating Weeds1934 · Yasujirō Ozu · Empire of Japan · silent, drama1.00
Kinema Junpo Best Ten (Japanese) 1934 #1
- 32The Crowd1928 · King Vidor · United States · drama, silent0.98
Sight & Sound 2022 critics' poll #225 · TIME All-TIME 100 · National Film Registry (inducted 1989)
- 33Pandora's Box1929 · Georg Wilhelm Pabst · Germany · silent, drama, crime0.86
Sight & Sound 2022 critics' poll #243 · Empire 500 (2008) #248 · Criterion Collection spine #358
- 34Peter Pan1924 · Herbert Brenon · United States · fantasy, silent, adventure0.84
Kinema Junpo Best Ten (International) 1925 #3 · National Film Registry (inducted 2000) · Rosenbaum's Essential Cinema
- 35The Big Parade1925 · King Vidor, George W. Hill · United States · drama, silent, war0.84
Kinema Junpo Best Ten (International) 1927 #3 · National Film Registry (inducted 1992) · Rosenbaum's Essential Cinema
- 36The Circus1928 · Charlie Chaplin · United States · comedy, silent, drama0.79
Kinema Junpo Best Ten (International) 1928 #3 · Criterion Collection spine #996 · Roger Ebert's Great Movies
- 37Underworld1927 · Josef von Sternberg · United States · crime, silent, drama0.79
Kinema Junpo Best Ten (International) 1928 #2 · Criterion Collection spine #529
- 38The Phantom of the Opera1925 · Rupert Julian, Lon Chaney, Edward Sedgwick · United States · horror, drama, silent0.71
Kinema Junpo Best Ten (International) 1925 #6 · National Film Registry (inducted 1998) · Roger Ebert's Great Movies
- 39The Freshman1925 · Fred C. Newmeyer, Sam Taylor · United States · comedy, silent0.69
Kinema Junpo Best Ten (International) 1926 #9 · National Film Registry (inducted 1990) · Criterion Collection spine #703
- 40Ben-Hur: A Tale of the Christ1925 · Fred Niblo · United States · drama, silent, action0.66
Kinema Junpo Best Ten (International) 1928 #4 · National Film Registry (inducted 1997)
- 41The Last Command1928 · Josef von Sternberg · United States · romance, war, silent0.65
TIME All-TIME 100 · National Film Registry (inducted 2006) · Criterion Collection spine #530
- 42Broken Blossoms1919 · D. W. Griffith · United States · romance, silent, drama0.65
National Film Registry (inducted 1996) · Kurosawa's 100 favorite films · Roger Ebert's Great Movies
- 43The Birth of a Nation1915 · D. W. Griffith · United States · drama, silent0.63
AFI 100 (1998) #44 · National Film Registry (inducted 1992) · Roger Ebert's Great Movies
- 44Nanook of the North1922 · Robert J. Flaherty · United States / France · documentary, drama, silent0.63
National Film Registry (inducted 1989) · Criterion Collection spine #33 · Roger Ebert's Great Movies
- 45Kean ou Désordre et génie1924 · Alexandre Volkoff · France · silent, drama0.63
Kinema Junpo Best Ten (International) 1925 #2
- 46The Marriage Circle1924 · Ernst Lubitsch, James Flood · United States · drama, silent0.63
Kinema Junpo Best Ten (International) 1924 #2
- 47Variety1925 · Ewald André Dupont, Nicolas Farkas · Germany · drama, silent0.63
Kinema Junpo Best Ten (International) 1927 #2
- 48Storm over Asia1928 · Vsevolod Pudovkin · Soviet Union · silent, drama, war0.63
Kinema Junpo Best Ten (International) 1930 #2
- 49
- 50The Water Magician1933 · Kenji Mizoguchi · Japan · drama, silent0.63
Kinema Junpo Best Ten (Japanese) 1933 #2
- 51Trifling Women1922 · Rex Ingram · United States · romance, silent0.60
Kinema Junpo Best Ten (International) 1924 #8 · Kinema Junpo Best Ten (International) 1924 #10
- 52The Black Pirate1926 · Albert Parker · United States · action, adventure, silent0.56
Kinema Junpo Best Ten (International) 1926 #7 · National Film Registry (inducted 1993)
- 53Limite1931 · Mário Peixoto · Brazil · drama, silent0.55
Sight & Sound 2022 critics' poll #211 · Criterion Collection spine #877
- 54A Page of Madness1926 · Teinosuke Kinugasa · Japan · silent, drama0.54
Kinema Junpo Best Ten (Japanese) 1926 #4 · Rosenbaum's Essential Cinema
- 55The Son of the Sheik1926 · George Fitzmaurice · United States · drama, silent, adventure0.54
Kinema Junpo Best Ten (International) 1926 #8 · National Film Registry (inducted 2003)
- 56The Cabinet of Dr. Caligari1920 · Robert Wiene · Germany · silent, horror, crime0.53
Kurosawa's 100 favorite films · Roger Ebert's Great Movies · Edgar Wright's 1,000 favorite movies
- 57The Wedding March1926 · Erich von Stroheim · United States · drama, romance, silent0.53
Kinema Junpo Best Ten (International) 1928 #9 · National Film Registry (inducted 2003)
- 58Dr. Mabuse the Gambler1922 · Fritz Lang · Germany · silent, thriller, crime0.52
Scorsese's 39 essential foreign films · Kurosawa's 100 favorite films · Rosenbaum's Essential Cinema
- 59Camille1921 · Ray C. Smallwood · United States · silent, drama, romance0.50
Kinema Junpo Best Ten (International) 1924 #3
- 60Stella Dallas1925 · Henry King · United States · drama, silent0.50
Kinema Junpo Best Ten (International) 1926 #3
- 61The Salvation Hunters1925 · Josef von Sternberg · United States · drama, silent0.50
Kinema Junpo Best Ten (International) 1925 #3
- 62
- 63
- 64
- 65Every-Night Dreams1933 · Mikio Naruse · Japan · drama, silent0.50
Kinema Junpo Best Ten (Japanese) 1933 #3
- 66
- 67The Kid1921 · Charlie Chaplin · United States · comedy, drama, silent0.50
National Film Registry (inducted 2011) · Criterion Collection spine #799 · Rosenbaum's Essential Cinema
- 68The Cameraman1928 · Edward Sedgwick, Buster Keaton · United States · comedy, romance, drama0.50
National Film Registry (inducted 2005) · Criterion Collection spine #1033 · Rosenbaum's Essential Cinema
- 69Earth1930 · Oleksandr Dovzhenko · Soviet Union · silent, drama0.49
Sight & Sound 2022 critics' poll #243 · Rosenbaum's Essential Cinema
- 70Decasia2002 · Bill Morrison · United States · silent0.48
Hoberman's annual top 10 2003 #3 · National Film Registry (inducted 2013)
- 71The General Line1929 · Sergei Eisenstein, Grigori Aleksandrov · Soviet Union · silent, drama0.47
Kinema Junpo Best Ten (International) 1931 #6 · Rosenbaum's Essential Cinema
- 72The Patriot1928 · Ernst Lubitsch · United States · biography, drama, silent0.45
Oscar Best Picture nominee 1929
- 73The Racket1928 · Lewis Milestone · United States · drama, crime, silent0.45
Oscar Best Picture nominee 1928
- 74Beau Geste1926 · Herbert Brenon · United States · silent, drama, action0.43
Kinema Junpo Best Ten (International) 1927 #4
- 75The Sea Beast1926 · Millard Webb · United States · silent, drama0.43
Kinema Junpo Best Ten (International) 1926 #4
- 76
- 77
- 78Oatsurae Jirokichi Koshi1931 · Daisuke Itō · Japan · silent, drama0.43
Kinema Junpo Best Ten (Japanese) 1932 #4
- 79Apart from You1933 · Mikio Naruse · Japan · drama, silent0.43
Kinema Junpo Best Ten (Japanese) 1933 #4
- 80Body and Soul1925 · Oscar Micheaux · United States · drama, silent0.39
National Film Registry (inducted 2019) · Criterion Collection spine #371
- 81
- 82Sherlock Holmes1922 · Albert Parker · United States / United Kingdom · crime, mystery, drama0.39
Kinema Junpo Best Ten (International) 1924 #5
- 83Girl Shy1924 · Fred C. Newmeyer, Sam Taylor · United States · comedy, romance, silent0.39
Kinema Junpo Best Ten (International) 1925 #5
- 84The Way of All Flesh1927 · Victor Fleming · United States · drama, silent0.39
Kinema Junpo Best Ten (International) 1927 #5
- 85The Living Corpse1929 · Fedor Ozep · Germany / Soviet Union · silent, drama0.39
Kinema Junpo Best Ten (International) 1929 #5
- 86Dracula: Pages from a Virgin's Diary2002 · Guy Maddin · Canada · horror, silent0.38
Hoberman's annual top 10 2003 #5 · Film Comment year-end poll 2003 #37
- 87The Hunchback of Notre Dame1923 · Wallace Worsley · United States · romance, horror, silent0.36
Kinema Junpo Best Ten (International) 1924 #6
- 88Smouldering Fires1925 · Clarence Brown, Charles Dorian · United States · drama, silent0.36
Kinema Junpo Best Ten (International) 1925 #6
- 89Street Angel1928 · Frank Borzage · United States · drama, romance, silent0.36
Kinema Junpo Best Ten (International) 1928 #6
- 90The Village Bride1928 · Heinosuke Gosho · Japan · drama, silent0.36
Kinema Junpo Best Ten (Japanese) 1928 #6
- 91The Four Feathers1929 · Merian C. Cooper, Lothar Mendes, Ernest B. Schoedsack · United States · silent, war0.36
Kinema Junpo Best Ten (International) 1929 #6
- 92Faust1926 · F. W. Murnau · Germany / Weimar Republic · silent, drama, fantasy0.36
Roger Ebert's Great Movies · Edgar Wright's 1,000 favorite movies · Rosenbaum's Essential Cinema
- 93A Corner in Wheat1909 · D. W. Griffith · United States · drama, silent0.34
National Film Registry (inducted 1994) · Rosenbaum's Essential Cinema
- 94The Musketeers of Pig Alley1912 · D. W. Griffith · United States · silent, drama0.34
National Film Registry (inducted 2016) · Rosenbaum's Essential Cinema
- 95The Wishing Ring: An Idyll of Old England1914 · Maurice Tourneur · United States · comedy, drama, silent0.34
National Film Registry (inducted 2012) · Rosenbaum's Essential Cinema
- 96The Last of the Mohicans1920 · Maurice Tourneur, Clarence Brown · United States · silent, drama, adventure0.34
National Film Registry (inducted 1995) · Rosenbaum's Essential Cinema
- 97Cops1922 · Edward F. Cline, Buster Keaton · United States · comedy, silent0.34
National Film Registry (inducted 1997) · Rosenbaum's Essential Cinema
- 98Foolish Wives1922 · Erich von Stroheim, Gustav Machatý · United States · drama, silent0.34
National Film Registry (inducted 2008) · Rosenbaum's Essential Cinema
- 99It1927 · Clarence G. Badger, Josef von Sternberg · United States · comedy, romance, silent0.34
National Film Registry (inducted 2001) · Rosenbaum's Essential Cinema
- 100Steamboat Bill Jr.1928 · Charles Reisner · United States · comedy, action, silent0.34
National Film Registry (inducted 2016) · Edgar Wright's 1,000 favorite movies
Thirty years that invented everything
Between the Lumière brothers' first public projections in 1895 and the arrival of synchronized sound in 1927, cinema went from fairground novelty to the dominant art form of the century — and nearly every tool filmmakers still use was invented in that window. Georges Méliès, a stage magician, discovered special effects and narrative fantasy almost single-handedly; A Trip to the Moon (1902) — with its rocket in the Moon's eye, one of the most reproduced images in film history — is the medium's first blockbuster and first work of science fiction. The 1910s added feature length, continuity editing and the close-up as psychological instrument; D.W. Griffith's Intolerance (1916), built partly in penance for the racism of his previous film, pushed crosscutting to a four-story architecture that filmmakers still study.
The 1920s were the form's high summer, and its canon is strikingly international. Germany contributed expressionism — The Cabinet of Dr. Caligari (1920), with its painted shadows and unreliable narrator, is the ancestor of every horror film and film noir. The Soviet Union contributed montage theory: Eisenstein's Battleship Potemkin (1925) and its Odessa Steps sequence remain the most-quoted editing lesson in cinema. Hollywood contributed physical comedy at a level never matched — Buster Keaton's The General (1926), an action epic performed without stunt doubles on moving locomotives — and, in F.W. Murnau's Sunrise (1927), made by a German expressionist with a Fox budget, the silent film's most complete synthesis of camera movement, design and feeling. Denmark's Carl Theodor Dreyer closed the era with The Passion of Joan of Arc (1928), a trial film told almost entirely in faces, routinely ranked among the greatest films ever made.
Why the silent canon still climbs
Chaplin ignored the sound revolution for years — City Lights (1931) is a silent film released deep into the talkie era, and its final recognition scene is perhaps the most praised single ending in cinema — proof that silence was an aesthetic choice, not just a technical limitation. The critics' polls have only strengthened the silent canon over time: as recency bias fades, the era's formal daring stands out more clearly, and preservation institutions (a large share of this page sits in the National Film Registry) treat these films as the medium's founding documents. Ranked by composite score, this page is effectively cinema's constitutional convention: the films that decided what the art form would be.


































































































