History of Movies.

The Best Christopher Nolan Movies, Ranked

Nolan's filmography measured against the canon: every film in our library ranked by composite score.

Oppenheimer (2023) leads with a composite score of 6.00.

About Christopher Nolan — bio & complete filmography →

  1. 1
    Oppenheimer2023 · Christopher Nolan
    6.00

    Oscar Best Picture winner 2023 · BAFTA Best Film winner 2024 · Kinema Junpo Best Ten (International) 2024 #1

  2. 2
    Inception2010 · Christopher Nolan
    1.42

    Oscar Best Picture nominee 2010 · Kinema Junpo Best Ten (International) 2010 #10 · National Film Registry (inducted 2025)

  3. 3
    Dunkirk2017 · Christopher Nolan
    1.33

    Oscar Best Picture nominee 2017 · Kinema Junpo Best Ten (International) 2017 #4

  4. 4
    The Dark Knight2008 · Christopher Nolan
    1.05

    Kinema Junpo Best Ten (International) 2008 #3 · Letterboxd Top 250 #25 · National Film Registry (inducted 2020)

  5. 5
    Interstellar2014 · Christopher Nolan
    0.65

    Kinema Junpo Best Ten (International) 2014 #6 · Letterboxd Top 250 #34

  6. 6
    Tenet2020 · Christopher Nolan
    0.29

    Kinema Junpo Best Ten (International) 2020 #10

  7. 7
    Memento2000 · Christopher Nolan
    0.23

    National Film Registry (inducted 2017)

  8. 8
    The Prestige2006 · Christopher Nolan
    0.20

    Letterboxd Top 250 #181

  9. 9
    Following1998 · Christopher Nolan
    0.16

    Criterion Collection spine #638

The director as franchise

Nolan occupies a position that wasn't supposed to exist anymore: a filmmaker whose name alone opens a $200 million original film. The route there was deliberate. Memento (2000), financed for $4.5 million on the strength of a backwards-running structure, established the signature — mainstream genre pleasure organized around a formal experiment — and each subsequent film scaled the same trade up an order of magnitude: The Dark Knight (2008) put a crime epic inside a comic-book franchise, Inception (2010) put a heist film inside a theory of consciousness, Interstellar (2014) put a father-daughter melodrama inside relativistic physics, and Dunkirk (2017) ran a war film on three interleaved clocks.

His canonical profile in the data is distinctive: community canons adopted him immediately — the Letterboxd-era audience essentially formed its taste on his films, and several sit high on every endurance-based list — while the slower institutions lagged. The Dark Knight's Best Picture snub in 2009 was consequential enough that the Academy expanded the category the following year (the unofficial "Dark Knight rule"); the film entered the National Film Registry in 2020, the fastest a comic-book film has crossed that threshold. The institutional account was finally settled in 2024, when Oppenheimer swept Best Picture, BAFTA's Best Film and the directing Oscar — the full establishment consecration, delivered for a three-hour biographical drama about nuclear physics that grossed nearly a billion dollars.

The craft position

Nolan's polemical commitments — celluloid over digital capture, IMAX photography, practical effects, projection-format evangelism — have made him the industry's most prominent argument that theatrical, photochemical cinema remains a mass medium rather than a museum piece. Whether the critics' polls eventually rank him where the community canons already do is one of the genuinely open questions in the data; the 2022 Sight & Sound poll largely held out, and the gap between his institutional, communal and critical standings is among the widest of any active director. This page, ordered by composite score, is the current state of that negotiation — expect it to move.