The Best Spanish Films
Buñuel's exile masterpieces, post-Franco allegories and del Toro's Spanish-language fables, ranked by our composite score.
Viridiana (1961) leads with a composite score of 4.25.
- 1Viridiana1961 · Luis Buñuel4.25
Palme d'Or winner 1961 · Sight & Sound 2022 directors' poll #52 · Cahiers du Cinéma annual top 10 1962 #4
- 2Blue Is the Warmest Colour2013 · Abdellatif Kechiche3.66
Palme d'Or winner 2013 · Cahiers du Cinéma annual top 10 2013 #3 · Criterion Collection spine #695
- 3The Wind That Shakes the Barley2006 · Ken Loach3.39
Palme d'Or winner 2006 · Kinema Junpo Best Ten (International) 2006 #5
- 4Dancer in the Dark2000 · Lars von Trier3.30
Palme d'Or winner 2000 · Kinema Junpo Best Ten (International) 2000 #9
- 5The Room Next Door2024 · Pedro Almodóvar2.43
Venice Golden Lion winner 2024 · Kinema Junpo Best Ten (International) 2025 #4
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- 14The Spirit of the Beehive1973 · Víctor Erice1.85
Sight & Sound 2022 directors' poll #72 · Sight & Sound 2022 critics' poll #85 · Kinema Junpo Best Ten (International) 1985 #4
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- 16Midnight in Paris2011 · Woody Allen1.29
Oscar Best Picture nominee 2011 · Kinema Junpo Best Ten (International) 2012 #5
- 17Close Your Eyes2023 · Víctor Erice1.26
Cahiers du Cinéma annual top 10 2023 #2 · Kinema Junpo Best Ten (International) 2024 #2
- 18All About My Mother1999 · Pedro Almodóvar1.20
Kinema Junpo Best Ten (International) 2000 #2 · Sight & Sound 2022 critics' poll #157 · Criterion Collection spine #1012
- 19The Strange Case of Angelica2010 · Manoel de Oliveira1.13
Cahiers du Cinéma annual top 10 2011 #2 · Kinema Junpo Best Ten (International) 2015 #3
- 20La Ciénaga2001 · Lucrecia Martel1.09
Sight & Sound 2022 directors' poll #62 · Sight & Sound 2022 critics' poll #136 · Criterion Collection spine #743
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- 24Talk to Her2002 · Pedro Almodóvar0.96
Kinema Junpo Best Ten (International) 2003 #2 · Cahiers du Cinéma annual top 10 2002 #7
- 25The Good, the Bad and the Ugly1966 · Sergio Leone0.88
Sight & Sound 2022 critics' poll #169 · Letterboxd Top 250 #20 · Roger Ebert's Great Movies
- 26Dream of Light1992 · Víctor Erice0.77
Kinema Junpo Best Ten (International) 1993 #5 · Sight & Sound 2022 critics' poll #243
- 27Pain and Glory2019 · Pedro Almodóvar0.67
Cahiers du Cinéma annual top 10 2019 #6 · Kinema Junpo Best Ten (International) 2020 #8
- 28The Discreet Charm of the Bourgeoisie1972 · Luis Buñuel0.65
Kinema Junpo Best Ten (International) 1974 #6 · Criterion Collection spine #102 · Roger Ebert's Great Movies
- 29Mr. Arkadin1955 · Orson Welles0.59
Cahiers du Cinéma annual top 10 1956 #4 · Criterion Collection spine #322
- 30Pan's Labyrinth2006 · Guillermo del Toro0.58
Kinema Junpo Best Ten (International) 2007 #10 · Criterion Collection spine #838 · Roger Ebert's Great Movies
Cinema against the censor
Spanish film history is inseparable from the forty-year shadow of the Franco dictatorship, and its canon is largely a history of evasions. The keystone case is Luis Buñuel's Viridiana (1961): the regime, hungry for cultural legitimacy, invited its most famous exiled director home to make a film — and Buñuel delivered a fable of a novice nun whose charity ends in a beggars' orgy staged as a parody of the Last Supper. It won the Palme d'Or at Cannes as Spain's official entry, was immediately banned in Spain and denounced by the Vatican's newspaper, and existed for years only because the negative had left the country. No film better embodies the gap between state canon and world canon that composite measurement makes visible.
The subtler masterpiece of the dictatorship years is Víctor Erice's The Spirit of the Beehive (1973), made while Franco still lived: a village child sees Frankenstein at a traveling cinema and goes looking for the monster, in a film whose every silence is about the Civil War no one onscreen may mention. The censors, reading only the surface, let it pass. Critics' polls have ranked it steadily higher for fifty years — it now stands among the top hundred films in the Sight & Sound poll and is routinely called the greatest Spanish film ever made.
After Franco: exuberance and export
Democracy released the pressure, and Spanish cinema swung to the opposite pole: Pedro Almodóvar's melodramas — All About My Mother (1999) the most laureled — made post-Franco Madrid's freedom itself the subject. The industry also became a platform for the Spanish-language canon beyond Spain: Guillermo del Toro's Pan's Labyrinth (2006), a Spanish-Mexican co-production set in the Francoist 1944 countryside, folded the dictatorship's violence into dark fairy tale and became one of the century's most internationally decorated films. And Spain's studios had already served the world's genre trade for decades — Leone's Westerns were shot in Almería's deserts. Ranked by composite score, the Spanish list is compact but sharply defined: a canon forged under censorship, vindicated by festivals and polls the censors couldn't reach.